As much a collective of musicians as a band, Sebadoh was the quintessential lo-fi band of the '90s. Formed by singer/songwriter Lou Barlow while he was the bassist for Dinosaur Jr. in the late '80s, Sebadoh's music was a virtual catalog of '80s alternative rock and '90s indie rock, featuring everything from jangle pop to noise-rock experimentalism. After being kicked out of Dinosaur in 1989, Barlow turned his attention toward Sebadoh, a home-recording project that he and drummer/songwriter Eric Gaffney began in 1987. Sebadoh soon developed into a backing band for both Barlow and Gaffney, as each submitted home-recorded tapes for release and toured behind the albums. Eventually adding drummer/songwriter Jason Loewenstein, the trio became an indie rock sensation, as well-known for the size and inconsistency of its output as the music itself. Often, Sebadoh sounded schizophrenic, flipping between Barlow's sensitive folk-rock and Gaffney's noise experiments without warning. This very diversity became the band's calling card, and by 1992 they had earned a devoted following. As the media focused on Barlow -- who also released a number of solo records under the name Sentridoh -- Gaffney grew frustrated. Gaffney left in 1994, and with new drummer Bob Fay, Sebadoh produced its most accessible albums -- Bakesale and Harmacy -- which expanded its cult somewhat. Despite the group's flirtation with (relatively) polished production and the fluke success of Barlow's side project Folk Implosion, Sebadoh remained a cult band and became one the largest touchstones of '90s indie rock.